Si la langue anglaise n'est pas un obstacle, interview avec "goodies" sur le Mandolin Cafe de monsieur
Sam Bush
8)
(Pour les mandolinistes fanatiques, et au delà du bluegrass, voir les autres interviews !!!)
Interview du "Père du Newgrass"
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- Messages : 5132
- Inscription : jeu. janv. 18, 2007 10:08 pm
Bonne trouvaille de Grassmat!
et pour compléter la partie instruments de l'interview....
Sam Bush
INSTRUMENTS:
1937 Gibson F5 Mandolin - Barcus-Berry Hot Dot pick-up and Countryman Isomax IIC mic.
2000 Gibson F5 Sam Bush Signature Series Mandolin - Barcus Berry Hot Dot pick-up and Countryman Isomax IIC mic.
1938 National Resophonic Slide Mandolin - w/ a Highlander pick-up and an internal Shure mic.
1976 Cats Eyes - Martin D42 copy - w/ a Highlander pick-up and a Countryman Isomax IIC mic.
1956 Fender Electric Mandolin
1980 Custom Electric 4-string mandolin designed by Sam, modified by Sim Daley.
1959 Gibson A-5 Florentine Custom.
(unknown year built) Copy of a Stradivarius violin w/ a Barcus-Berry
bridge pick-up and Joe Mills mic.
Sam Bush model Gibson Mandolin Strings
Thomastik violin strings
RACK:
BBE 802 Sonic Maximizer
Richard Battaglia - ChardStuff AcH 104 pre-amp
Yamaha SPX90
AMPS:
Polytone Mini-Brute II
Marshall DSL401
Byron House
Stage
Instruments:
2000 Eminence RN-4 Portable Upright Bass, Fishman Full Circle pickup
Fender Jazz Bass, 5-string passive Mexican
mid-70’s Fender Precision Bass, fretless, Bartolini PJ pickups
2003 Parker Fly Bass, 5-string, DiMarzio Ultra-Jazz pickups
Amplification:
Eden Highwayman WT-500 Integrated Amplifier
Trace Elliott 2103X Speaker Cabinet
Processing:
BBE 482i Sonic Maximizer
Boss Octaver
Boss Stage Tuner
Boss Super Chorus
Loop-Master A/B switcher and Effects Loop
Cables:
George L
Planet Waves
Stand:
Ultracase 4-space
Additional Studio Equipment
Basses:
1990 Clevinger Electric Upright Bass
Czech flatback Acoustic Upright Bass, ca. 1880, Barcus-Berry pickup
Czechoslovakian Electric Bass Guitar
1998 Epiphone Jack Casady Signature Model Bass
1996 F-Bass BN-5, 5-string
1956 Fender Precision
Fender “Jazz-Tele-Cision”: 70’s Jazz body, 60’s Telecaster neck, 2 custom-wound J pickups, one Lindy Fralin ‘63 P pickup (center position), 5-way Strat-style switching w/push-pull tone knob
1986 Guild Ashbory Silicone String Bass
2004 Hofner Club Bass
1991 Martin Acoustic Bass Guitar
Modulus Graphite Quantum Bass, 5-string, EMG PJ pickups
Steinberger L2 Bass
1961 or ‘62 Supro Pocket Bass
Other:
Gibson J-45 Acoustic Guitar
Gibson L6 Electric Guitar
Hammond L-100 Organ
Magnus Chord Organ
Ode-Baldwin Model C 5-string Banjo
Yamaha Bass Recorder
Yamaha U3 Upright Piano
Processing:
BBE DI-1000 Direct Box
MXR Envelope Filter
Sadowsky Outboard Preamp
SansAmp Bass Driver DI
Yamaha NE-1 Parametric Equalizer
Hamilton Upright Bass Stand
MIT Ripcord
Royer 121 Ribbon Microphone
Strings:
D’Addario, various flatwounds and roundwounds (electric)
LaBella tape wounds (on Jack Casady Bass)
Corelli (upright)
Thomastik Spirocore (upright)
Chris Brown
Live:
1987 Yamaha Recording Custom Drumkit .
The sizes are 20" Kick, 10" Rack Tom, 15" Floor Tom and a 14" x 5 -1/2" Pearl One Piece Shell Snare.
The Cymbals vary but generallly I use: Zildjian A-Custom 22" Ride, Two Paiste Signature Full Crashes 15" & 17" , Paiste 14" Signature Dark Crisp Hi Hats, and a 14" Wuhan China Cymbal.
I use Ayotte Londoner Model Drustix, Flix Brushes, Regal Tip Whiskers Brushes, Regal Tip Telescoping Wire Brushes (Regular & Jeff Hamilton Model).
In The Studio:
I Have been favoring my2003 Dw All-Maple (no re-inforcing ring) Drum Kit. Those sizes are: 20" Kick, 10" tom, 12"tom, and 14" floor tom. Snares range from Ludwig 20's Black Beauty, Ludwig Supraphonic Snare, Ludwig super-sensitve snare, Noble & Cooley wood Piccolo snare and Pearl One Piece maple snares
Scott Vestal
Stealth Banjos. One normal tuning, one tuned to a low C for other songs.
The midi rig is an electric solid body Stealth with a Roland GK-2A midi trigger running through a Roland GR-30 synthesizer
D'Addario strings
Trace amps
Stephen Mougin
Road Gear
All guitars run into a Peterson Strobe Stomp and are routed to the appropriate rig with an Loop-master mini A/B switch.
ACOUSTIC
Daley HD-28 Guitar - with Fishman Acoustic Matrix 2
Dearstone HD-23 Guitar - with Fishman Acoustic Matrix 2x
Fishman Aura
Fishman Loudbox Amplifier
ELECTRIC
Fender Telecaster - with EMG "tele" pickups
Dunlop Original Wah
Visual Sounds Jekyll & Hyde pedal
Boss Tremelo
Ibanez AD-9 Analog Delay pedal
Fender Blues Jr. with Harvey Modification
GHS Strings Infinity Bronze Medium (Acoustic) Boomers 9's (Electric)
Colorado Case Covers
Endorsements:
GHS Strings
Colorado Case Covers
Daley Instruments
Dearstone Instruments
Fishman (Aura and Loudbox amp)
Skip
et pour compléter la partie instruments de l'interview....
Sam Bush
INSTRUMENTS:
1937 Gibson F5 Mandolin - Barcus-Berry Hot Dot pick-up and Countryman Isomax IIC mic.
2000 Gibson F5 Sam Bush Signature Series Mandolin - Barcus Berry Hot Dot pick-up and Countryman Isomax IIC mic.
1938 National Resophonic Slide Mandolin - w/ a Highlander pick-up and an internal Shure mic.
1976 Cats Eyes - Martin D42 copy - w/ a Highlander pick-up and a Countryman Isomax IIC mic.
1956 Fender Electric Mandolin
1980 Custom Electric 4-string mandolin designed by Sam, modified by Sim Daley.
1959 Gibson A-5 Florentine Custom.
(unknown year built) Copy of a Stradivarius violin w/ a Barcus-Berry
bridge pick-up and Joe Mills mic.
Sam Bush model Gibson Mandolin Strings
Thomastik violin strings
RACK:
BBE 802 Sonic Maximizer
Richard Battaglia - ChardStuff AcH 104 pre-amp
Yamaha SPX90
AMPS:
Polytone Mini-Brute II
Marshall DSL401
Byron House
Stage
Instruments:
2000 Eminence RN-4 Portable Upright Bass, Fishman Full Circle pickup
Fender Jazz Bass, 5-string passive Mexican
mid-70’s Fender Precision Bass, fretless, Bartolini PJ pickups
2003 Parker Fly Bass, 5-string, DiMarzio Ultra-Jazz pickups
Amplification:
Eden Highwayman WT-500 Integrated Amplifier
Trace Elliott 2103X Speaker Cabinet
Processing:
BBE 482i Sonic Maximizer
Boss Octaver
Boss Stage Tuner
Boss Super Chorus
Loop-Master A/B switcher and Effects Loop
Cables:
George L
Planet Waves
Stand:
Ultracase 4-space
Additional Studio Equipment
Basses:
1990 Clevinger Electric Upright Bass
Czech flatback Acoustic Upright Bass, ca. 1880, Barcus-Berry pickup
Czechoslovakian Electric Bass Guitar
1998 Epiphone Jack Casady Signature Model Bass
1996 F-Bass BN-5, 5-string
1956 Fender Precision
Fender “Jazz-Tele-Cision”: 70’s Jazz body, 60’s Telecaster neck, 2 custom-wound J pickups, one Lindy Fralin ‘63 P pickup (center position), 5-way Strat-style switching w/push-pull tone knob
1986 Guild Ashbory Silicone String Bass
2004 Hofner Club Bass
1991 Martin Acoustic Bass Guitar
Modulus Graphite Quantum Bass, 5-string, EMG PJ pickups
Steinberger L2 Bass
1961 or ‘62 Supro Pocket Bass
Other:
Gibson J-45 Acoustic Guitar
Gibson L6 Electric Guitar
Hammond L-100 Organ
Magnus Chord Organ
Ode-Baldwin Model C 5-string Banjo
Yamaha Bass Recorder
Yamaha U3 Upright Piano
Processing:
BBE DI-1000 Direct Box
MXR Envelope Filter
Sadowsky Outboard Preamp
SansAmp Bass Driver DI
Yamaha NE-1 Parametric Equalizer
Hamilton Upright Bass Stand
MIT Ripcord
Royer 121 Ribbon Microphone
Strings:
D’Addario, various flatwounds and roundwounds (electric)
LaBella tape wounds (on Jack Casady Bass)
Corelli (upright)
Thomastik Spirocore (upright)
Chris Brown
Live:
1987 Yamaha Recording Custom Drumkit .
The sizes are 20" Kick, 10" Rack Tom, 15" Floor Tom and a 14" x 5 -1/2" Pearl One Piece Shell Snare.
The Cymbals vary but generallly I use: Zildjian A-Custom 22" Ride, Two Paiste Signature Full Crashes 15" & 17" , Paiste 14" Signature Dark Crisp Hi Hats, and a 14" Wuhan China Cymbal.
I use Ayotte Londoner Model Drustix, Flix Brushes, Regal Tip Whiskers Brushes, Regal Tip Telescoping Wire Brushes (Regular & Jeff Hamilton Model).
In The Studio:
I Have been favoring my2003 Dw All-Maple (no re-inforcing ring) Drum Kit. Those sizes are: 20" Kick, 10" tom, 12"tom, and 14" floor tom. Snares range from Ludwig 20's Black Beauty, Ludwig Supraphonic Snare, Ludwig super-sensitve snare, Noble & Cooley wood Piccolo snare and Pearl One Piece maple snares
Scott Vestal
Stealth Banjos. One normal tuning, one tuned to a low C for other songs.
The midi rig is an electric solid body Stealth with a Roland GK-2A midi trigger running through a Roland GR-30 synthesizer
D'Addario strings
Trace amps
Stephen Mougin
Road Gear
All guitars run into a Peterson Strobe Stomp and are routed to the appropriate rig with an Loop-master mini A/B switch.
ACOUSTIC
Daley HD-28 Guitar - with Fishman Acoustic Matrix 2
Dearstone HD-23 Guitar - with Fishman Acoustic Matrix 2x
Fishman Aura
Fishman Loudbox Amplifier
ELECTRIC
Fender Telecaster - with EMG "tele" pickups
Dunlop Original Wah
Visual Sounds Jekyll & Hyde pedal
Boss Tremelo
Ibanez AD-9 Analog Delay pedal
Fender Blues Jr. with Harvey Modification
GHS Strings Infinity Bronze Medium (Acoustic) Boomers 9's (Electric)
Colorado Case Covers
Endorsements:
GHS Strings
Colorado Case Covers
Daley Instruments
Dearstone Instruments
Fishman (Aura and Loudbox amp)
Skip

If you funk with me , I'll funk with you !
Re: Interview du "Père du Newgrass"
Si la langue anglaise n'est pas un obstacle, interview avec "goodies" sur le Mandolin Cafe de monsieur
Thanks for sharing this topic
Thanks for sharing this topic